protean depravity

I have been meaning to write this post for quite some time now and have been postponing, then came the FFF White Nights, and then Berlinale, and also lots of work, and yada yada yada, and it's kind of late, but finally here I am scribbling something, because I don't want to keep putting off reviewing this movie to the point that it's too old to be relevant, and the second part of the 28 series, The Bone Temple, deserves it. It is such, such a good film all around. Let's analyze it then! (OBVIOUSLY SPOILERED REVIEW)

As I've written before, this year's Berlinale was a bit frustrating and not all that amazing, but I was able to watch a couple of films nonetheless (even though most of them at the Uber Hall which is cold, and too big, and uncomfortable). I don't want to complain too much, though, I was still able to see nice films, just not super good ones. So this year there's no winner since none of the pictures struck me as great or wonderful or whatever. Here's a short overview of my film haul.

Enjoy the latest short reviews! 

Well, I'm going to say it out loud, this year's Berlinale is a dud. Insanely quickly sold out tickets, a lukewarm selection of films, a lack of genre pictures in its program, and finally idiotic comments from the jury... Berlinale is already a fail and makes me want to look ahead for other festivals. Honestly, I'm not sure I'll give it much space in my future life, I think I'd rather save my leave days for the FFF and the Final Girls Berlin. Sorry for the rant.

Jenny Kaplan is as New York City as they come – independent and complex, trying to make a living through a severely underpaid job at the lifestyle magazine Bread and Circus , and always one rent away from being evacuated. Her biggest accomplishment is a very personal and honest piece of autofiction that includes her break up and abortion, titled “Drano”, which got her the most views and support she ever had, but also brought along powerful enemies, such as The Brotherhood and, unfortunately, the owners of her workplace.

The new year started so busy that I almost forgot about publishing the short reviews. Luckily, because of that, there are quite a few now since they added up. In the meantime I discovered a new favorite author, Drew Huff, I fell in love with The Divine Flesh,  the way it was written and the subject matter was totally up my alley, so I have been stocking  up on Huff's books (because I'm totally expecting to do nothing and sit on my couch and read books as long as the snow piles up outside, the way it does now). I also really want to focus on short stories this year, and to put a dent in my TBR by finishing all the horror anthologies I collected over the years, and I started doing that. Hope you enjoy my short reviews, have a great winter time! 

...because that's when Berlinale starts again!

In my introductory blog post to  Skeleton Crew  I stated that there are stories in this collection that outright bother me, that I don't like, and even yes, I hate. I don't mean to be preachy or judgy, but some of these are extremely mean - especially against people above a certain weight. I don't want to claim that King is fat-phobic, but after re-reading these stories, I almost think he might be. I certainly hope it was a phase and he's not like that still, because it is a bitter pill to swallow for me, as I'm obviously a fan of his.  Where do we draw the line in such cases, though? How can a reader discriminate between an author writing a character realistically, with their flaws, misogynistic, racist, homophobic characters because in real life they exist and should be written about; and an author being himself misogynistic, racist, homophobic and using a character as his mouthpiece? This is a difficult task for any reader and I'm usually very lenient and giv...

It's finally time for some crime, thriller and mystery again, let's go! I've had tons of time to read over the festive days (it was so wonderful), so there are quite a few short reviews today. Enjoy.