protean depravity

Ugh, I really didn't read a lot this past month, too often was I at the cinema watching movies, so unfortunately the short reviews are a little meager. In fact, I hope that will change since I received a TON of new reads which look amazing, so much that it will need some organizing and planing, but I'll get through, I guess. There are quite some amazing events coming up too, like the upcoming Thomas Olde Heuvelt reading at the Otherland on March 31st, and there's rumors (it's a little more than rumors, but there's no date yet) that Brian Evenson is here in Berlin and might join some discussions, and Caro wants to revive the Otherland Horror Book Club, and I have an interview in progress... Lots of things to anticipate there. Before, though, enjoy the short reviews, I did not love every book I've read recently, but they were mostly okay.

With February gone, a wonderful film time lies behind me and I'm glad I was able to achieve most of my film goals, but also thrilled to be able to do so in smashingly crunchy, sunny weather and I can't imagine closing the winter time in a better way. The last station of Film February 2025 was The Final Girls Berlin Film Festival, which took place quite late this year, in March, but considering the Fantasy Filmfest White Nights and Berlinale both took place in succession in February, this was a good choice. I missed/passed all feature film screenings due to a combination of lack of time and lack of interest/already having seen most, but apart from the last two showings on Sunday, I watched all short films, which were divided into following blocks; Hostile Environments, Capitalist Horror, Het Horror, Cults, Midnight, Life Cycles, Pop Horror/Carnevalesque, Sensory Overload, Queer Horror, Revenge, Grief and Nightmares. As each year, I'm super happy with the Final Girls' sel...

First off: I was initially going to follow the order of short stories in Night Shift for this my column "The Short Story Lover's Guide to Stephen King" : with The Mangler , The Boogeyman and Gray Matter  up next. But considering that the latter two are both in an island position between many stories which deal with the horror of inanimate objects coming to life, I decided to go rather thematically just for this once. So, in this post we'll take a look at The Mangler , Battleground , Trucks and Sometimes They Come Back which all deal with lifeless things who have no business being alive and moving around. The fear of the inanimate animate, moving objects, the unexplainable, the unscientific is, as is well-known, a big fear of mine. Taking this fear beyond the initial "boo!" moment, King shows how to turn that shock into dread and terror, or even dystopia, and there's arguably no other book of his with a wider range of short stories about objects comi...

Enjoy thriller time!

These past two weeks Berlin wasn't only blessed with icy cold and incredibly sunny weather, there were also film lovers running all around the city because it was Berlinale time again! For the 75th time this year! Although the film selection wasn't necessarily the best of all time, it was decent enough and I had the chance to finally satisfy my hunger for lots of movies from around the world despite financial concerns (the tickets get more expensive by the year and it's going off my vacation budget), frustration over sold out showings, and lots of other personal stuff I had to take care of. I'm happy that I was able to join three screenings followed by director interviews, I think two of them were even premieres, and that despite the unsettling collective cacophony of coughing and sneezing and sniffling I made it out halfway healthy. Let's take a look at the films now, here's my festival in a nut shell!

Enjoy the new short reviews!

As I previously mentioned in my introduction to this series, very few short stories from King's debut collection Night Shift haven't been adapted into other media; notably films, short films, series or even radio adaptations, and that's one of the reasons this work is a staple to have set standards for horror fiction to come. That entails setting up new tropes, pushing existing tropes into the horror domain or reinforcement thereof, creating a "hype" around them. The next short stories I'll discuss, Graveyard Shift (originally published in 1970 in Cavalier Magazine), Night Shift (Ubris Magazine 1969) and I Am the Doorway (Cavalier Magazine 1971) are all writings that boosted tropes that were both sort of hanging in the realm between science fiction and horror as well as pushed them into the mainstream horror of its time. As always, I recommend reading the short stories along.

The Fantasy Filmfest White Nights, a mini-festival which took place this past weekend, was both a lovely launch of Film February as well as a warm-up for the upcoming Berlinale (February 13-23) followed by the Final Girls Berlin Filmfest (March 5-9). So as to not exhaust myself and my finances early on, I only did two films per day, totaling four films; Above the Knee , Presence , MadS and Street Trash - I liked them all, although I have little critiques, comments and opinions I want to dump here. It is noteworthy that three out of four (horror) films I saw rely on narrative or technical methods that are experimental in nature. Now of course, I'm referring to my personal selection and not the entirety of the festival, and I may have been unconsciously drawn towards a certain kind of film, but I can assure that it wasn't apparent in their description, at least not necessarily for all of them. The thing is, it's awesome that more and more filmmakers dare breaking through the...