When I was in high school I had a literature
teacher who, whenever she did not feel like teaching, came into class pushing a squeaky video cart
which makes every young student's heart beat faster with the prospect of
watching movies instead of studying. One of those movies, I remember clearly, was Anna
Karenina from 1997, the one with Sophie Marceau as Anna. During my lifetime I have watched this screen adaptation three times in
total and read the book twice, and although it is one of the most boring books imaginable I remember it fondly. Imagine how bored I must have been in regular class that watching
this rather tedious movie was one of the highlights of my school life.
Fast
forward a few years later at university, I sit in my Introduction to
Linguistics course and the professor mentioning that the Czech word
“robota” and the German word “Arbeiter” (worker) are etymologically
related, opens the doors of a whole new realization to me.
Against this backdrop, Ben H. Winters choosing the trope of robots and the robot uprising for his and Tolstoy's mash-up Android Karenina makes greatest sense to me.
If you're unfamiliar with the concept of this parody series of mash-ups; classic novels are being taken (almost word by word) and peppered with fantastical elements like zombies or robots or Cthulhu inserted in especially emotional or intense moments of those classics and the resulting text is usually quite funny and quirky. Some other examples are Pride and Prejudice and Zombies or Sense and Sensibility and Sea Monsters. I am aware this isn't necessarily super original or the best of literature, they're parody novels but I like to read them for fun.
Functioning robots are all alike; every malfunctioning robot malfunctions in its own way.
Android Karenina, in which an alternate 19th Century Russia is enriched with robots as companions to humans, time travel and space travel is possible and the fights are against space monsters and mechanical koshei, also centers around the same scandalous love story of married Anna Arkadyevna Karenina (Anna) and the dashing cavalry officer Count Alexei Kirillovich Vronsky (Vronsky) gradually turn sour due to societal pressure on a married woman leaving her husband and even child.
The original work features embedded social commentary between
passionate and defamatory love scenes: lots of old rich men chatting
about the state of Russia, about the liberal reforms of Emperor
Alexander II, principally railroads, industry, decline of aristocracy,
judicial reforms etc. In Android these reforms are replaced by a
robot uprising that turns the aristocracy's life upside down and make
for a hilarious reading. In this new universe every aristocrat is paired
with a robot servant which reflects the essential characteristics of
their master, which made an interesting and compelling universe and
reminded me of Philip Pullman's “His Dark Materials” universe where
humans are paired with their soul animals. The servant robots perform
all tasks and are bound by the Iron Laws of Robot Behavior, which are
reminiscent of Isaac Asimov's and John Campbell's three laws of
robotics. After the revolt, humans see themselves forced to create
ultra-human cyborgs to fight back the robots.
My favorite part of Android Karenina
is probably the presentation of Anna's lawful husband, Alexei
Alexandrovich Karenin, who in the original work is a detached,
unemotional, cold man. He was re-created as a villain with a metallic
machine face, his robot side causing him to act and think logically and
cold, while inside he is torn and fighting for his human side and his
emotions, which was just sheer genius.
So, if you, like me, want
to revisit an old classic, but perked up with a fresh take, you enjoy
the robot trope and all it stands for in science fiction or you always
wanted to read about Vronsky fighting space monsters, this will be your
thing!
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