Since its emergence in the early 70s, the rape-revenge trope has become a staple of horror fiction equally hailed as loathed. A painfully necessary and yet controversial evil to tap the full cathartic potential of the genre, it usually relies on exploitation, provocation, transgression, shock-value and preferably lots of gore, over the top and graphic sexual violence, and bad taste in order to point at a specific social ill . Critics rail at a certain kind of voyeurism as well as instrumentalizing, making light of, and even glorifying of sexual violence against women while others, such as Australian scholar Alexandra Heller-Nicholas, call for film-specific interpretations. Although meant as a negative opinion on the subgenre, instrumentalizing or exploiting a subject in art, no matter how hideous, traumatic, and real it is for its survivors in real life, are valid and effective ways of handling that subject and should be seen in an objective light. All the more in the case of the l...